SMILE The Beach Boys Producer: Brian Wilson Unreleased Based on side 1, tape 1 of David Prokopy's "Smile" tapes Key to sources: GV - Good Vibrations box set [released 1993] SS/WH - Smiley Smile/Wild Honey CD two-fer [released 1990] S1 - Smile bootleg [released 1988 on Sphynx] S2 - Smile bootleg [released 1988 on The Early Years] S3 - Smile bootleg [released 1993 on Vigotone] SU - Surf's Up [released 1972] 20/20 - 20/20 [released 1969] 1. "Prayer" recorded: 4 October 1966 source: GV [mono] Brian Wilson Instrumental 2. "Heroes And Villians" recorded: 11 May 1966 - 2 March 1967 source: SS/WH [mono] Brian Wilson/Van Dyke Parks I've been in this town so long that back in the city, I've been taken for lost and gone and unknown for a long, long time. Fell in love years ago with an innocent girl, From the Spanish and Indian home home of the heroes and villains. Once at night, Catillian squared the fight, And she was right in the rain of the bullets that eventually brought her down. But she's still dancing in the night, unafraid, Of what a dude'll do in a town full of heroes and villains. Heroes and villains, just see what you've done Heroes and villains, just see what you've done Stand or fall, I know there shall be peace in the valley, And it's all an affair of my life with the heroes and villains. In the cantina, margaritas keep the spirit high. There I watched her, she spun around and wound in the warmth, Her body fanned the flame of the dance. Dance, Margarita, don't you know that I'm in love with you Dance You're under arrest! My children were raised, you know they suddenly rise. They started slow, long ago, head-to-toe, healthy, wealthy, and often wise. At three-score and five, I'm very much alive. I've still got the jive to survive with the heroes and villains. I've been in this town so long, so long to the city, I'm fit with the stuff to write in the rough and sunny down snuff i'm all right by the heroes and villains dih dih dih, heroes and villains dih dih dih, heroes and villains dih dih dih, heroes and villains dih dih dih, heroes and villains dih dih heroes and villains dih dih heroes and villains 3. "Barnyard" recorded: 27 October 1966(?) source: S3 [mono] Brian Wilson/(Van Dyke Parks?) [Out in the farmyard, the cook is chopping lumber. Out in the barnyard, the chickens do their number.] Instrumental 4. "Do You Like Worms" recorded: 18 October & 21 December 1966 source: S1 [mono]; GV [mono] Brian Wilson/(Van Dyke Parks?) Rock, rock and roll Plymouth Rock, roll over Rock, rock and roll Plymouth Rock, roll over Bicycle rider, see see what you've done, To the church of the American Indian ... Rock, rock and roll Plymouth Rock, roll over Rock, rock and roll Plymouth Rock, roll over Wa halla loo lay Wa halla loo lah Keeny wok a poo lah Wa halla loo lay Wa halla loo lah Keeny wok a poo lah Wa halla loo lay Wa halla loo lah Keeny wok a poo lah Wa halla loo lay Wa halla loo lah Keeny wok a poo lah 5. "The Old Master Painter" recorded: 14 & 30 November 1966 source: S3 [mono] H.Gillespie/B.Smith/J.Davis You were my sunshine, my only sunshine. You made me happy when skies were blue. You'll never know, dear, how much I loved you. How could you take my sunshine away 6. "Wonderful" recorded: 25 August, 6 October, 15 December 1966 source: GV [mono] Brian Wilson/Van Dyke Parks She belongs there, left with her liberty, Never known as a non-believer. She laughs and stays in the Wonderful. She knew how to gather the forest, When God reached softly and moved her body. One golden locket, quite young, And loving her mother and father. Farther down, the path was a mystery. Through the recess, the chalk and numbers, A boy bumped into her Wonderful. All fall down, and lost in the mystery. Lost it all to a non-believer. And all that's left is a girl, Who's loved by her mother and father. She'll return, in love with her liberty, Just away from the non-believer. She'll sigh and thank God for Wonderful. 7. "Child Is Father Of The Man" recorded: 7 & 12 October, 2 & 6 December 1966 source: S3 [mono] Brian Wilson/(Van Dyke Parks?) (Child child) child father of the man (father of the man, father of the man) (Child child) child father of the man (father of the man, father of the man) (Child child) child father of the man (father of the man, father of the man) (Child child) child father of the man (father of the man) (Child child) child father of the man (father of the man, father of the man) (Child child) child father of the man (father of the man, father of the man) (Child child) child father of the man (father of the man, father of the man) 8. "Cabinessence" Time: 3:37 Irving Music, Inc. BMI Master #56716 Recorded 10/3/66, 10/11/66, 12/6/66, 12/27/66, and 11/20/68 Brian Wilson/Van Dyke Parks Light the lamp and fire mellow, Cabin essence timely hello, Welcomes the time for a change. Lost and found, you still remain there. You'll find a meadow filled with grain there. I'll give you a home on the range. Who ran the iron horse? Who ran the iron horse? Who ran the iron horse? Who ran the iron horse? Who ran the iron horse? Who ran the iron horse? Who ran the iron horse? Who ran the iron horse? Who ran the iron horse? Who ran the iron horse? I want to watch you windblown facing Waves of wheat for your embracing. Folks sing a song of the grange. Nestle in a kiss below there. The constellations ebb and flow there. And witness our home on the range. Who ran the iron horse? (Truck driving man do what you can) Who ran the iron horse? (High-tail your load off the road) Who ran the iron horse? (Out of night-life-it's a gas man) Who ran the iron horse? (I don't believe I gotta grieve) Who ran the iron horse? (In and out of luck) Who ran the iron horse? (With a buck and a booth) Who ran the iron horse? (Catchin' on to the truth) Who ran the iron horse? (In the vast past, the last gasp) Who ran the iron horse? (In the land, in the dust, trust that you must) Who ran the iron horse? (Catch as catch can) Have you seen the grand coolie workin' on the railroad? Have you seen the grand coolie workin' on the railroad? Have you seen the grand coolie workin' on the railroad? Over and over, The crow cries uncover the cornfield. Over and over, The thresher and hover the wheat field. Over and over, The crow cries uncover the cornfield. Over and over, The thresher and hover the wheat field. Over and over, The crow cries uncover the cornfield. Over and over, The thresher and hover the wheat field. 9. "Good Vibrations" Time: 3:35 Irving Music, Inc. BMI Recorded 2/18/66-9/1/66 Master #55949 Released 10/66 (Capitol 5676) Charted 10/22/66 Reached #1 A side with "Let's Go Away For Awhile" Brian Wilson/Mike Love (Tony Asher and Van Dyke Parks, uncredited lyricists) Noises: 0:51 Edit forces the word "Excitations" to be cut in half as the next verse comes in. I, I love the colorful clothes she wears And the way the sunlight plays upon her hair I hear the sound of a gentle word On the wind that lifts her perfume through the air I'm pickin' up good vibrations She's giving me excitations I'm pickin' up good vibrations (Oom bop bop good vibrations) She's giving me excitations (Oom bop bop excitations) Good good good good vibrations (Oom bop bop) She's giving me excitations (Oom bop bop excitations) Good good good good vibrations (Oom bop bop) She's giving me excitations (Oom bop bop excitations) Close my eyes She's somehow closer now Softly smile, I know she must be kind When I look in her eyes She goes with me to a blossom world I'm pickin' up good vibrations She's giving me excitations I'm pickin' up good vibrations (Oom bop bop good vibrations) She's giving me excitations (Oom bop bop excitations) Good good good good vibrations (Oom bop bop) She's giving me excitations (Oom bop bop excitations) Good good good good vibrations (Oom bop bop) She's giving me excitations (Oom bop bop excitations) (Ahhhhhhh) (Ah my my what elation) I don't know where but she sends me there (Ah my my what a sensation) (Ah my my what elations) (Ah my my what) Gotta keep those lovin' good vibrations A happenin' with her Gotta keep those lovin' good vibrations A happenin' with her Gotta keep those lovin' good vibrations A happenin' Ahhhhhhhh Good good good good vibrations (Oom bop bop) (IÕm pickinÕ up good vibrations) She's giving me excitations (Oom bop bop) (Excitations) Good good good good vibrations (Oom bop bop) She's na na . . . Na na na na na Na na na Na na na na na Na na na Do do do do do Do do do Do do do do do Do do do 10. "Vega-Tables" (B.Wilson/V.D.Parks) recorded: 4, 6-7 & 10-14 April 1967 source: GV [mono] "I'm In Great Shape" (B.Wilson(/M.Love?)) recorded: 17 October & 29 November 1966 source: GV [mono] I'm gonna be 'round my vegetables. I'm gonna chow down my vegetables. I love you most of all, my favorite vegetable. If you brought a big brown bag of 'em home, I'd jump up and down and hope you'd toss me a carrot. I'm gonna keep well, my vegetables. Cart of and sell my vegetables. I love you most of all, my favorite vegetable. I tried to kick the ball, but my tennie flew right off. I'm red as a beet 'cause I'm so embarrassed. (Mom and daddy said,) "Sleep a lot. Eat a lot. Brush 'em like crazy. Run a lot. Do a lot. Never be lazy (boy)." I threw away my candy bar and I ate the wrapper. And when they told me what I did, I burst into laughter. I know that you'll feel better when you send us in your letter, And tell us the name of your favorite vegetable. Sleep a lot. Eat a lot. Brush 'em like crazy. Run a lot. Do a lot. Never be lazy (boy). Sleep a lot. Eat a lot. Brush 'em like crazy. Run a lot. Do a lot. Never be lazy (boy). Sleep a lot. Eat a lot. Brush 'em like crazy. Run a lot. Do a lot. Never 11. "Wind Chimes" Previously unreleased Recorded 8/3/66, 10/5/66, and 10/10/66 Brian Wilson Hanging down from my window Those are my wind chimes On the warm breeze the little bells Tinkle like wind chimes Though it's hard I try not to look at my wind chimes Now and then a tear rolls off my cheek Close your eyes and lean back now listen to wind chimes In the late afternoon you're hung up on wind chimes Though it's hard I try not to look at my wind chimes 12. "Mrs. O'Leary's Cow" recorded: 20 November 1966 source: S3 [mono] Brian WIlson Instrumental 13. "Love To Say Da-Da" recorded: 16-18 May 1967 source: GV [mono] Brian Wilson Instrumental 14. "Surf's Up" Time: 2:37 Brother Publishing Co. BMI Recorded: 11/8/66 and 12/15/66 Additional recording: 1971 A side with "Don't Go Near The Water" Brian Wilson/Van Dyke Parks A diamond necklace played the pawn Hand in hand some drummed along, oh To a handsome man and baton A blind class aristocracy Back through the opera glass you see The pit and the pendulum drawn Columnated ruins domino Canvass the town and brush the backdrop Are you sleeping? Hung velvet overtaken me Dim chandelier awaken me To a song dissolved in the dawn The music hall a costly bow The music all is lost for now To a muted trumperter swan Columnated ruins domino Canvass the town and brush the backdrop Are you sleeping, Brother John? Dove nested towers the hour was Strike the street quicksilver moon Carriage across the fog Two-Step to lamp lights cellar tune The laughs come hard in Auld Lang Syne The glass was raised, the fired rose The fullness of the wine, the dim last toasting While at port adieu or die A choke of grief hard hardened I Beyond belief a broken man too tough to cry Surf's Up Aboard a tidal wave Come about hard and join The young and often spring you gave I heard the word Wonderful thing A children's song Child, child, child, child, child A child is the father of the man Child, child, child, child, child A child is the father of the man A children's song Have you listened as they played Their song is love And the children know the way That's why the child is the father to the man Child, child, child, child, child Child, child, child, child, child Na na na na na na na na Child, child, child, child, child That's why the child is the father to the man Child, child, child, child, child